![]() Music recognition can be used to measure elements of such subconscious habitus.Īmong the several opéras comiques that the Hoftheater and the Theater an der Wien vied to perform in almost simultaneous productions, Méhul’s Une Folie was the lightest, most purely comic drama. ![]() Such experiments in music recognition are an e↵ective methodology for Culture Studies given that musical elements are tied to issues of identity, culture, and even politics. A separate analysis of patterned recognition comparing American youth under thirty, with elders over 60 indicated that there were also boundaries between age groups. It was found that there were indeed patterns of recognition apparently reflecting national boundaries for some song recognition, but others crossed boundaries. Survey responses were analyzed using factor analysis in order to identify patterns of recognition. To test Hall's assertion, data were collected from the United States, Germany, Tanzania, and Thailand in 2015-2017 using a 26 brief "song intros." Data were also collected from exchange students from South Korea and Turkey. Hall's assertion about the role of musical elements, including rhythm recognition and what are called "ear worms" in popular culture. This paper explores empirically Edward T. ![]()
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